‘Too soothing’: why have music-hating art duo Gilbert & George gone orchestra mad?

# From Silence to Symphony: Gilbert & George’s Stunning Orchestral Turn Leaves Art World Reeling

For decades, the art world knew one immutable truth: Gilbert & George, the enigmatic “living sculptures,” *detested* music. Their silence, their stark pronouncements against melody, were as much a part of their provocative brand as their meticulously tailored suits. Imagine the collective gasp, then, as news broke that these celebrated, self-professed “music haters” have not only embraced, but gone “orchestra mad” – a revelation that is sending shockwaves through cultural circles and leaving fans utterly bewildered.

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The seismic shift comes with the announcement of a surprising collaboration with the esteemed Philharmonia Orchestra. This isn’t just a fleeting interest; reports suggest the duo, famous for declaring the sound of a jet engine more profound than any symphony, are now deeply immersed in the world of classical music. Their reaction? A stunning confession that the orchestral sound is, of all things, “too soothing.” This unexpected endorsement from artists who built a career on defying convention is a testament to the Philharmonia’s power, or perhaps, Gilbert & George’s latest, most audacious performance piece yet.

Social media is abuzz with a mixture of disbelief and delighted amusement. Long-time followers are questioning if this is a genuine transformation or merely another layer of their intricate artistic tapestry, designed to challenge perceptions of taste and high culture. Could the legendary duo, who once stated they preferred the raw sound of modern urban life to any musical composition, truly be finding solace in symphonies? Their sudden embrace of harmony from a world they so vehemently rejected suggests an evolution that no one saw coming.

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This dramatic pivot not only redefines Gilbert & George’s own boundaries but also raises fascinating questions about the transformative power of art itself. What does it mean when the most dedicated iconoclasts find themselves unexpectedly moved by the very thing they disdained? Their journey from vocal disinterest to finding orchestral music “too soothing” is more than just a personal revelation; it’s a profound statement that even the most entrenched beliefs can be swayed by beauty and unexpected resonance.

As the echoes of this astonishing news reverberate, one thing is clear: Gilbert & George continue to challenge, to provoke, and now, to *serenade* us in the most gloriously unexpected ways. Their latest artistic endeavor reminds us that true artists never stop evolving, and sometimes, the most revolutionary act is simply to open oneself to a new, breathtaking sound.

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